The ethos of Lockdown provides the opportunity to develop inventive perspectives on the dance content. Dr. Kapila Vatsyayayan the iconic thinker on dance and arts
Young Khagendranath Barman travelled all the way from Guwahati to the then Madras to learn Bharatanatyam under Dr.Rukmini Devi Arundale, whom he fondly calls Atai
The COVID-19 lockdown has allowed dancers a space to reflect. I prompted dancers Purva Dhanashree (Vilasini Natyam), Arupa Lahiry (Bharatanatyam), Shashwati Garai Ghosh (Odissi) and
The 30th Pandit Durgalal Festival was jointly organized by Uma Dogra’s Samved and NCPA, at Mumbai saw some of the finest artists of the country perform.
Of the five senses, the one that gives us the maximum stimuli at any moment is that of sight. Colour is that tangible stimulus that
Dr Sandhya Purecha and Sarfojiraje Bhosale Centre presented the Bharata Natyam Arangetram of Damini Naik at the Y.B.Centre auditorium, opposite Mantralaya on March 1st. The
Nature’s fury with unseasonal rains and chaotic traffic seemed to chime in with Malavika Sarukkai’s ‘Battle Within’, staged at the Kamani in Delhi, with the
The 30th Pandit Durgalal Festival organised by Sam Ved Society for Performing Arts was held on 22nd February at Ravindra Natya Mandir in Mumbai. Lead
Last month aficionados of dance were witness to the 16th Dhauli Kalinga Mahotsav of dance- a joint venture of Orissa Dance Academy and Odisha Tourism
Dr Sandhya Purecha, the prime disciple of Acharya Parvati Kumar under the aegis of her Bharata College of Fine Arts & Culture, Mumbai celebrated the
